
A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.
In theaters now
Jun 24, 1963
In theatersDigital release
Unknown

Stanislav Lyubshin
father Michail
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