tanty
Sep 6, 2013
Interesting and entertaining movie getting the maximum from just an actor and a coffin. However, you will feel cheated every now and then when you see how the coffin seems to enlarge and shrink.
Buried
“170,000 sq miles of desert. 90 minutes of oxygen. No way out.”
6.6(3,138 votes)20101h 35m
Overview
As an American civilian truck driver working in Iraq, Paul Conroy's convoy is attacked by a group of Iraqi insurgents. Some time later, Paul awakes in a coffin with only a lighter, a cell phone, and his ever-growing anxiety. Faced with a dwindling oxygen supply and a dying battery, he must fight panic, despair, and delirium as he races against time to escape the claustrophobic death trap.
Release schedule
In theaters now
Sep 24, 2010
In theatersDigital release
Unknown
Videos
Cast
Reviews
7/10
SamySam
Jun 3, 2020
I really LOVE this movie ! I love films like this and “Entrapped . A Day of Terror” , entirely shooted inside one claustrophobic location :-) only a perfect screenplay can make the film Adrenalinic and not annoying, as of course the set is on few square mq2 !
Geronimo1967
Jan 30, 2025
Despite the fact that there are quite a few plot holes in this quite tautly put together drama, Ryan Reynolds might actually have turned in one of the best performances of his career, here. Perhaps that's because he awakens to find he's been buried in a big wooden box with only an hip flask, torch and his phone. He's been in Iraq driving for an American truck company when it was attacked and he's now the subject of a $5millions ransom demand. Over the next ninety minutes he has to use the phone and his wits to try to track down some phone numbers who can help find his particular hole in the ground. This, bear in mind, is before we all had GPS on our telephones - so it's quite a frantic affair as he begins to realise the dangers of his predicament. There's also quite possibly one of the most obnoxious phone calls I've ever heard between him and his ass-covering personnel director that really did have me shouting "lie, for God's sake" at the screen. This gives Reynolds a chance to ditch his pretty boy image and try to imbue his character with a degree of claustrophobic frenzy from a staring start - and I think he does it quite well. It has a sinister plausibility to it, and as to the denouement - well there's nothing straightforward about that, either. Worth a watch, I'd say.
