John Chard
May 29, 2017
Another Intelligent Western from Anthony Mann. Link Jones is on his way to Fort Worth to hire a schoolteacher, having left his wife and children behind, Link appears to be the epitome of the simple honest man. However, the train he is on is robbed by outlaws, thus meaning that Link's past and his dubious family ties are all careering towards a day of reckoning. This was Anthony Mann's second to last foray into the Western genre, and perhaps his most clinical as regards a structured tale of men as complicated as they are conflicted? I always find with Mann's Westerns that a sense of doom hangs heavy, there are very few directors in Western cinema history who have this knack of filling the viewer with such a pervading feeling of unease. Here we have Gary Cooper as Link, on the surface an amiable man, but the sequence of events see him thrust back into a life he thought had long since gone. The term that a leopard never changes its spots sits rather well, but here we find Mann fleshing out his lead character with an acknowledgement that a former life has passed, with Cooper perfectly transcending this well scripted arc. The striking thing about it though, is that Mann's characters are not the quintessential good versus bad characters, these are just men with their own individual hang ups, they all are fallible human beings, which is something that surely we all can identity with. The acting across the board here is top notch, Cooper is excellent, replacing Mann's stock Western muse, James Stewart, he cements his earthy and identifiable worth wholesale. Lee J. Cobb actually is the glue that holds the film together, his portrayal of Dock Tobin perfectly plays alongside Cooper's emotive showing of Link Jones's confliction. Negatively though, we are asked to believe that Gary Cooper is Lee J. Cobb's nephew, with a difference of just ten years between the two men that has to be a casting error one feels. Still, the film comes highly recommended, the intelligence and dark atmosphere of the piece marks it out for worthwhile emotional investment, whilst Cooper's two main fights (both different) are seriously great cinema. 8.5/10
